Tripods – UK Digitala http://ukdigitala.com/ Tue, 21 Sep 2021 19:52:06 +0000 en-US hourly 1 https://wordpress.org/?v=5.8 https://ukdigitala.com/wp-content/uploads/2021/06/icon-2021-06-29T121704.452-150x150.png Tripods – UK Digitala http://ukdigitala.com/ 32 32 The Hookpod Pro mini tripod contains a useful magnetic leg https://ukdigitala.com/the-hookpod-pro-mini-tripod-contains-a-useful-magnetic-leg/ https://ukdigitala.com/the-hookpod-pro-mini-tripod-contains-a-useful-magnetic-leg/#respond Tue, 21 Sep 2021 19:52:06 +0000 https://ukdigitala.com/the-hookpod-pro-mini-tripod-contains-a-useful-magnetic-leg/ Mini tripods are certainly handy photographic gadgets, but they could always be made even more practical. One example is the new Hookpod Pro, which features a magnetic stand that allows a variety of mounting options. Not to be confused with another Hookpod, which is a device that prevents seabirds from being caught on fishing lines, […]]]>

Mini tripods are certainly handy photographic gadgets, but they could always be made even more practical. One example is the new Hookpod Pro, which features a magnetic stand that allows a variety of mounting options.

Not to be confused with another Hookpod, which is a device that prevents seabirds from being caught on fishing lines, the Hookpod Pro is a miniature Italian-made tripod with three folding legs made of 6061-T6 aluminum – it was created by a group design students from the Polytechnic University of Milan. . Inside one of its legs is a neodymium magnet with 20 lbs (9 kg) of attractive force.

First of all, the Hookpod Pro can of course be used as an ordinary tripod with its legs spread and resting on the floor. However, when these feet are folded back, the device can be glued sideways to any ferromagnetic metal object – examples include street light poles, sign posts, or car doors.

The Hookpod Pro, attached to a tree using its magnetic hook-and-loop strap holder

Hookpod

Additionally, if you want to mount the tripod on something non-metallic like a tree branch, you can do so using an optional magnetic mount with a built-in hook-and-loop strap, which sticks to the magnetic leg of the tripod. . Other accessories to stick on the leg include a belt clip / shoulder strap and a cold shoe holder for devices connected to the camera such as lights, microphones or small video monitors.

Another unique feature of the Hookpod Pro is the lockable tilt mechanism of its GoPro-compatible steel camera head, which uses magnets to smooth its movements. This head can accommodate DSLRs or other cameras weighing up to 5.6 kg (12.3 lb), via a standard quarter-inch screw.

The tripod itself would tip the scales at 410 g (0.9 lb) and measure 24.4 cm (9.6 inches).

It’s currently the subject of a Kickstarter campaign, where a pledge of € 84 (around US $ 99) will get you one with an accessory, when and if it hits production. The expected retail price is $ 149.

You can see the Hookpod Pro in use, in the following video.

Hookpod Pro: your modular tripod

Sources: Kickstarter, Hookpod


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Beacon installation will be open at the East Cliff Bandstand in Ramsgate – The Isle Of Thanet News https://ukdigitala.com/beacon-installation-will-be-open-at-the-east-cliff-bandstand-in-ramsgate-the-isle-of-thanet-news/ https://ukdigitala.com/beacon-installation-will-be-open-at-the-east-cliff-bandstand-in-ramsgate-the-isle-of-thanet-news/#respond Tue, 21 Sep 2021 09:04:35 +0000 https://ukdigitala.com/beacon-installation-will-be-open-at-the-east-cliff-bandstand-in-ramsgate-the-isle-of-thanet-news/ What it might look like Image Conrad Shawcross Studio A set of four galvanized steel tripods with rotating discs atop the East Cliff Bandstand in Ramsgate will be ‘open’ on September 30. The Turner Contemporary program is part of his Pioneering Places project with some 70 schoolchildren from Ramsgate, St Laurence’s Junior Academy and Ramsgate […]]]>
What it might look like Image Conrad Shawcross Studio

A set of four galvanized steel tripods with rotating discs atop the East Cliff Bandstand in Ramsgate will be ‘open’ on September 30.

The Turner Contemporary program is part of his Pioneering Places project with some 70 schoolchildren from Ramsgate, St Laurence’s Junior Academy and Ramsgate Arts Primary working with artist Conrad Shawcross.

For the temporary installation, which will last up to a year, the four structures will have a perforated steel disc above a steel pole and will be weighted by a tripod base. The installation is called Beacons.

East Cliff Bandstand Photo Steven Collis

Each structure will be operated by hand by a handle which will allow each disc to rotate smoothly when turned. The handle can be removed (by Turner Contemporary) when it may be necessary to restrict access to the artwork.

The children involved in the project researched Ramsgate, emphasizing the historic character of its royal port, and this was used for their ideas for the artwork.

Themes are drawn from nautical signage and ideas on Ramsgate and its Royal Harbor as a place of refuge as well as play and playfulness, noting Ramsgate’s legacy as a tourist destination; Benevolent – noting how to deal with environmental problems, pollution of the port, sea, air and waste in the city and modern machinery – nodding to Georgian civil engineering, like the Ramsgate Locks, the bollards, pond valves and John Smeaton’s dry dock.

Artist Conrad Shawcross with Ramsgate Pupils at Jacob’s Ladder

Additional information about the artwork will be displayed on temporary and removable vinyl graphics installed in the bandstand.

The creation will have a hidden word hidden in the drawing, based on a coded alphabet designed by the children. The word HOME was chosen by children to be the message the beacons send at sea. It follows child labor exploring Ramsgate’s maritime heritage and the history of its famous Royal Harbor – the only designated Royal Port in the Kingdom United, which will celebrate its 200th anniversary in September. HOME represents what Ramsgate meant to children and also provided a message of welcome and warmth to anyone arriving in the city by sea or land.

The materials used refer to those that can be found in the vicinity of the royal port such as the steel used in shipbuilding.

The Bandstand is a Grade II listed asset and designated open public space, in the Ramsgate Conservation Area. The structure dates from the late 1930s and includes the patterned dance floor, perimeter wall, balustrades and steps, as well as the bandstand itself.

The beacons are believed to be the greatest piece of art to have been commissioned by children.

Conrad Shawcross said: “It was so rewarding to work with the kids of Ramsgate on this unique kid-led initiative, the project has been an odyssey in itself and I can’t wait for the kids and the city to finally see these pieces. !

“We took on the challenge of trying to create the most visually appealing coding system – by adopting the navigation languages ​​of the past, namely the semaphore and exploring the models of moray eels and how they work. The kids and I adopted scale, color, and movement to create a series of mechanical devices that send a message of hope and welcome as far out into the sea as possible.

Conrad has completed a number of major public commissions around the world and is a fellow of the Royal Academy of Arts. In 2011, he was one of the first artists to be featured at Turner Contemporary as part of its inaugural exhibition.

In addition to working with Shawcross, the children also collaborated with the Turner Prize-winning collective Assemble, which was tasked with creating a toolkit that aims to inform planners, policy makers and those in the education and of creation on how children can positively contribute to the creation of places. .

Cllr Ash Ashbee, Head of Thanet District Council, said: “We are delighted that we were able to help facilitate this project. It’s wonderful to see how the collaboration between local children and a renowned artist has led to such an exciting new work of art. Ramsgate is home to a diverse and creative community, as well as being rich in history, and we look forward to seeing the artwork settle in the city as the Royal Harbor celebrates its bicentennial.


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Zoom tube monocular with the magnificent surface of Nocs Provisions https://ukdigitala.com/zoom-tube-monocular-with-the-magnificent-surface-of-nocs-provisions/ https://ukdigitala.com/zoom-tube-monocular-with-the-magnificent-surface-of-nocs-provisions/#respond Mon, 20 Sep 2021 20:51:28 +0000 https://ukdigitala.com/zoom-tube-monocular-with-the-magnificent-surface-of-nocs-provisions/ One of those objects I’m dying to touch: this Zoom Tube 8×32 monocular telescope from the Californian company Nocs Provisions (“Nocs” being the abbreviation for monoculars / binoculars). This lightweight, water-resistant 9.5 oz (270 g) monocular has a wide field of view (384 feet at 1000 meters), can be tripod mounted with a standard 1 […]]]>

One of those objects I’m dying to touch: this Zoom Tube 8×32 monocular telescope from the Californian company Nocs Provisions (“Nocs” being the abbreviation for monoculars / binoculars).

This lightweight, water-resistant 9.5 oz (270 g) monocular has a wide field of view (384 feet at 1000 meters), can be tripod mounted with a standard 1 / 4-20 connector, and features an eyecup compatible with the glasses.

It can also be paired with a useful but bulky $ 27 photo platform adapter so you can take photos with your smartphone, as if you’ve slapped a 400mm camera lens on it.

Really a great job of surfacing here. It’s hard to tell without touching it, but I’m guessing the point of origin of the radiating streaks is the object’s central equilibrium point. And in addition to the look and feel, “the ribbed casing absorbs shock and provides grip,” the company says.

While the streaks scream at 3D printing, which is actually how the company prototypes its products, the company says the texture was “inspired by the vintage BMX mushroom handles and the artwork. by Frank Stella inspired by the natural sand patterns that form in the dunes and ocean swell formations: seemingly symmetrical and geometric, but every line, every wave, completely unique. “

The recently launched Zoom Tube costs $ 75 and is supposed to start shipping any day now (mid-September was their goal). To reassure, the company claims to offer a “lifetime guarantee regardless of what happens.”


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For multimedia artist Nicole L’Huillier, sound is a portal for change https://ukdigitala.com/for-multimedia-artist-nicole-lhuillier-sound-is-a-portal-for-change/ https://ukdigitala.com/for-multimedia-artist-nicole-lhuillier-sound-is-a-portal-for-change/#respond Mon, 20 Sep 2021 09:20:37 +0000 https://ukdigitala.com/for-multimedia-artist-nicole-lhuillier-sound-is-a-portal-for-change/ Multimedia artist, Nicole L’Huillier wishes to invite you to become a membrane and to prepare yourself to assimilate and embody the vibration. “Why I am obsessed with sound and why I like working with sound is that sound is a portal,” explains L’Huillier, who comes from Santiago, Chile, and is studying for a doctorate. at […]]]>

Multimedia artist, Nicole L’Huillier wishes to invite you to become a membrane and to prepare yourself to assimilate and embody the vibration.

“Why I am obsessed with sound and why I like working with sound is that sound is a portal,” explains L’Huillier, who comes from Santiago, Chile, and is studying for a doctorate. at the MIT Media Lab. “Listening and moving on sounds that vibrate, resonate, can actually change your states of consciousness. And for example, you can reach trance states and love psychedelic states.

Although she collaborates with physicians, robotics engineers, and other tech thinkers, her work requires audiences to clear their minds, unlearn their conditioning, and get back to basics. “How do we form parts, how do we inhabit with and in this universe? she asks.

Artist Nicole L’Huillier looks at the unassembled elements of her installation “Membranas”. (Robin Lubbock / WBUR)

L’Huillier was trained as a musician and architect. She performed in a group, Cóndor Jet, in Santiago, but after becoming an architect her music took a back seat. Feeling fragmented, she wanted to create a practice that could support and connect all parts of her. Now at the Media Lab, his work oscillates at the intersection of science, technology and art. She explores the numinous in relation to cosmologies. It’s spiritual in a way, but it’s totally non-religious.

Its sound textures are trippy and hypnotic, inviting participants to dive so deep that they step into the multiverse. Her work often explores sound as a means of understanding and navigating different spaces. “A sound, for me, is a way of engaging with different multidimensional realities, what we call the pluriverse.

“A sound, for me, is a way of engaging with different multidimensional realities, what we call the pluriverse.

Nicole L’Huillier

His traveling sculpture, “The PARACANTORA”, seeks these responses from the smallest particles deepest within, to the largest bodies in the vast expanses of the cosmos. The physical sculpture is just a tripod with colorful horned speakers, but its simple design belies its extraordinary capabilities.

It is a note-taking device; the sculpture houses environmental sensors that translate invisible forces like electromagnetism, temperature and pressure into sound in real time. He traveled to CERN’s Large Hadron Collider in Switzerland, as well as to the ALMA and Paranal observatories in Chile.

Artist Nicole L'Huillier examining the unassembled elements of her installation "Membranes." (Robin Lubbock / WBUR)
Artist Nicole L’Huillier looks at the unassembled elements of her installation “Membranas”. (Robin Lubbock / WBUR)

“From particles and the smallest components of reality, to larger ones, like the cosmos,” explains L’Huillier. “It is looking in one way or another inward and outward, these very opposite places but to understand similar phenomena.”

Being in Boston for a graduate program and taking up more academic space has been a big change. At first, she struggled to connect with the DIY art scene. She says things felt a lot less integrated and collaborative here, largely because of the cost to the city. But she was able to connect more with other artists thanks to her group, Breaking Forms, with her husband Juan Necochea.

Their music is part a diary, part a declaration of love and filled with exploration, science and a call to emptiness. And like his other works, it is often about sonifying the elements that make up our reality. Their song, “Microbailes,” for example, is a sonic representation of the DNA sequence of a tardigrade – a micro-animal also known as the water bear, which survived the five mass extinctions.

By exploring the most basic forms and origins of the cosmos, L’Huillier brings his audience back to reality.

“The world is not in a good place. I think that if my work resonates, it is because people feel the urgency for change.”

Nicole L’Huillier

“The world is not in a good place,” she says, but her work offers a different perspective. “I think if my work resonates, it’s because people feel the urgency for change.” While art is often about gathering information and becoming aware of space, she says it’s more about unlearning than learning. She wants people to be flexible and dynamic when they engage in this dialogue. His work reminds audiences that they too are just a vibration.

“It’s time to re-articulate a lot of things and my work speaks about it a lot,” says L’Huillier. “It’s about meeting other paradigms, it’s about being able to be flexible, to vibrate, to oscillate just like sound.


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TOM POLAND: Catching alligators | Opinion https://ukdigitala.com/tom-poland-catching-alligators-opinion/ https://ukdigitala.com/tom-poland-catching-alligators-opinion/#respond Sun, 19 Sep 2021 17:34:00 +0000 https://ukdigitala.com/tom-poland-catching-alligators-opinion/ Wilkinson nicknamed an alligator “Truck Biter”. Over the years he had caught the alligator several times and each time he got bigger. The last time he caught it, the alligator was 12 feet one. Two Argentine biologists, Andre and Pablo, were with Wilkinson to see how he captured alligators, as they used a similar approach […]]]>

Wilkinson nicknamed an alligator “Truck Biter”. Over the years he had caught the alligator several times and each time he got bigger. The last time he caught it, the alligator was 12 feet one. Two Argentine biologists, Andre and Pablo, were with Wilkinson to see how he captured alligators, as they used a similar approach with caimans.

“When we released him he was pretty crazy,” Wilkinson said. “The gator tore off the wing of a nearby truck.”

So what’s it like to catch a big alligator that can rip off a fender? You might think this is a scary business, but Wilkinson said it was all too fast to be afraid. “Fear gets you nowhere. You have to think of something besides being afraid. If you want to get “and”, be brave and get “and”. You do it in a way that has been proven to work. You have a team that works with you; each person has something to do. It’s like doing surgery. If there is a dangerous aspect, we try to eliminate it.

Almost 40 years of experience have refined Wilkinson’s approach to capturing alligators. Still, he asked an alligator to get more. “In 1993, the team I was working with had a daughter, Sudy, with her.” He also had two comrades who worked with him, Mark and Andrew.

“We had caught a lot of alligators one morning and Mark, who was starting to get tired, warned the crew to be careful. He told them that catching alligators was like riding a motorcycle. Just when you think you know how, you find yourself with a handlebars on your back. The next alligator put both of Mark’s hands in its mouth.


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Night sky at your fingertips like Unistellar, the Nikon team for the digital telescope – Pickr https://ukdigitala.com/night-sky-at-your-fingertips-like-unistellar-the-nikon-team-for-the-digital-telescope-pickr/ https://ukdigitala.com/night-sky-at-your-fingertips-like-unistellar-the-nikon-team-for-the-digital-telescope-pickr/#respond Sun, 19 Sep 2021 02:21:41 +0000 https://ukdigitala.com/night-sky-at-your-fingertips-like-unistellar-the-nikon-team-for-the-digital-telescope-pickr/ Seeing what’s going on beyond our own world can be tricky with a proper telescope, but a new style is on the way as Nikon’s glass goes to an electronic eye. Staring at the stars is a favorite pastime for many of us, sitting under a blanket of darkness studded with pins and dotted with […]]]>

Seeing what’s going on beyond our own world can be tricky with a proper telescope, but a new style is on the way as Nikon’s glass goes to an electronic eye.

Staring at the stars is a favorite pastime for many of us, sitting under a blanket of darkness studded with pins and dotted with dots of light that make us wonder what else is there. It’s a hobby that could lead you down a complicated road of telescopes and tripods, spotting scopes and star tracking, and can end up being too dizzying.

There are many different options for people wanting to get started in astronomy, from very cheap to very expensive, but the community is also trying to bring the material to people wanting to adopt a more digital style of astronomy.

While you can still capture a decent photo of the moon with a familiar camera and a little patience and skill, if you want to venture beyond that stunning nightlight in the sky, you can start watching new ones as well. breeds of telescopes. .

Earlier in the year the Vaonis Vespera showed what could happen when a telescope could be made easier, connecting to an app to control everything, and this week we’re hearing about another, and it will have the optics of a major brand of camera and glass.

Unistellar has announced the launch of the eVscope 2, a digital telescope connected to an app and digital to the core, based on a Sony 7.7 megapixel sensor with a 50x lens capable of seeing 450mm, while the digital zoom (also known as “cropping”) can capture up to a recommended maximum of 150x, but also push it to 400x if you don’t mind seeing the odd pixel.

A collaboration with Nikon allowed Unistellar to introduce Nikon’s glass in eyepieces, made up of elements from the camera giant’s optical labs to deliver something different and potentially better for the eye on a screen. micro OLED.

This comes with something Unistellar calls “Enhanced Vision” which balances the contrast of what you see in the sky and combines the accumulated light from distant stars, potentially improving views over a standard telescope finder. You don’t look through a conventional telescope in the eVscope 2, which instead acts like a mirrorless camera and visualizes the result through what a sensor sees.

Because of this all-digital approach, there is also an app, which can help you automatically point a telescope at events in the sky, and even live stream what you are doing and watching. It’s all motorized on a set of portable tripod legs, comes with around 10 hours of battery life, and the app can help you find what you’re looking for without needing to manually adjust the telescope with a spotting scope and coordinates.

There’s even a little software in-game to help people who live in cities, with light pollution reduction technology to reduce background light to capture astrophotography images of a city interior.

“Amateur astronomy typically requires a location in the dark sky, complex gear assembly, tedious setup, often hours of image processing – plus the knowledge to put it all together,” said Laurent Marfisi, CEO by Unistellar.

“With the eVscope 2, anyone can participate in a quick half-hour observation session and enjoy many colorful deep space objects, even from a downtown balcony,” a- he declared. “Our technology is helping astronomy finally play a role in people’s daily lives.”

The plug for the Unistellar eVscope 2 can boil down to price, all of which is priced at $ 4,199, which in turn translates to just under $ 6,000 in Australia. Granted, this is not a cheap kit, and a dollar figure that can get you a little inland telescope from retailers that sell telescopes locally.

Unistellar already has locals using its equipment in Australia, which you can find on its Citizen Astronomers Map, but the company told Pickr there may not be local availability of the eVscope 2. beyond ordering online and taking into account conversion and shipping costs.

If that doesn’t bother you and you’re looking for a hobbyist-friendly approach to astrophotography, the Unistellar eVscope 2 might be worth checking out when it starts shipping in November.


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‘Over the Edge’ Fundraiser Helps People Abseil Down One of Grand Rapids’ Tallest Buildings https://ukdigitala.com/over-the-edge-fundraiser-helps-people-abseil-down-one-of-grand-rapids-tallest-buildings/ https://ukdigitala.com/over-the-edge-fundraiser-helps-people-abseil-down-one-of-grand-rapids-tallest-buildings/#respond Sat, 18 Sep 2021 03:25:39 +0000 https://ukdigitala.com/over-the-edge-fundraiser-helps-people-abseil-down-one-of-grand-rapids-tallest-buildings/ GRAND RAPIDS, Michigan – If you’re looking to get out of your comfort zone this weekend, how about rappelling down one of the tallest buildings in Grand Rapids? FOX 17’s Michael Martin and Lauren Kummer took the plunge “on the edge” at Bridgewater Place on Friday ahead of Saturday’s event. “Our ‘Over the Edge’ event […]]]>

GRAND RAPIDS, Michigan – If you’re looking to get out of your comfort zone this weekend, how about rappelling down one of the tallest buildings in Grand Rapids?

FOX 17’s Michael Martin and Lauren Kummer took the plunge “on the edge” at Bridgewater Place on Friday ahead of Saturday’s event.

“Our ‘Over the Edge’ event is our fifth annual event,” said Denise Durkee, director of Easterseals West Michigan. “This will be our second year doing it at Bridgewater Place on the beautiful Varnum Bridge.”

This is the fifth year that people have rappelled 17 floors to raise funds and raise awareness at Easterseals West Michigan.

Easterseals provides mental health services to adults and children. We have trauma assessments, we have autism services, we have programs for veterans and the military, we have programs for our farmers, and then we have speech therapy, occupational therapy and our children’s mental health issues, so we have a wide variety of services, ”said Durkee.

This is their first fundraising event since February 2020, before the pandemic. 60 people are registered to participate.

“First, they sign a waiver – very important – sign the waiver, then they will be taken to a staging room where they will be fitted with their safety gear and harnesses. Then they will be right here on the bridge. , and we’ve got a training tripod, so they’ll learn to operate the levers on the train. Then once you’re ready to do that, we’ll take them to the edge and they’ll rappelling down, ”Durkee said.

To participate, it costs $ 1,000. Many attendees have secured sponsorships or raised funds for months to experience the adrenaline rush of seeing Grand Rapids from a different perspective.

“Our goal is to raise $ 135,000 for Easterseals. This money will stay here in Western Michigan to help our programs and services locally. The last time I checked we were at $ 133,000. We are really very close, ”said Durkee.

If you would like to participate, you can visit the Varnum Tower at Bridgewater Place on Saturday to register.

READ MORE: Mental Health America says teens and teens have highest rates of depression during pandemic

READ MORE: How Healthy Conversations And Meals With Your Kids Have a Positive Impact on Their Mental Health

Follow FOX 17: Facebook – Twitter -Instagram -YouTube



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Met Museum buys back $ 1 million in photos and prints to fill shortfall caused by pandemic https://ukdigitala.com/met-museum-buys-back-1-million-in-photos-and-prints-to-fill-shortfall-caused-by-pandemic/ https://ukdigitala.com/met-museum-buys-back-1-million-in-photos-and-prints-to-fill-shortfall-caused-by-pandemic/#respond Fri, 17 Sep 2021 14:42:30 +0000 https://ukdigitala.com/met-museum-buys-back-1-million-in-photos-and-prints-to-fill-shortfall-caused-by-pandemic/ The Metropolitan Museum of Art will sell 219 prints and photographs to help fill a $ 150 million shortfall resulting from the pandemic. The works, all copies from his collection, will be offered in three auctions at Christie’s, starting next month, the auction house announced today. The group includes pieces by Robert Frank, Roy Lichtenstein […]]]>

The Metropolitan Museum of Art will sell 219 prints and photographs to help fill a $ 150 million shortfall resulting from the pandemic.

The works, all copies from his collection, will be offered in three auctions at Christie’s, starting next month, the auction house announced today. The group includes pieces by Robert Frank, Roy Lichtenstein and Frank Stella. He is expected to raise between $ 904,600 and $ 1.4 million in total.

Larger works have also been put up for sale, but the museum does not know what they are. Tobias Meyer, a private art dealer and former star auctioneer at Sotheby’s, is among those advising the Met on its divestiture, the museum confirmed.

Robert Frank, Parade, Hoboken, New Jersey, 1955 (1955). Photo: Christie’s Images Ltd.

By selling art, the country’s largest museum takes benefit from a rare two-year window, until April 2022, during which the Association of Art Museum Directors allowed members to sell art in order to raise money for the care of the collection, rather than for the only acquisitions. Most of these sales sparked a public outcry. Last year, the Baltimore Museum of Art ended up removing major works by Andy Warhol, Clyfford Still and Brice Marden from Sotheby’s after revealing that it was not in financial difficulty, but rather wanted to diversify. his collection.

Met director Max Hollein took a different approach. We have significant endowment funds that are reserved for acquisitions only, ”said Hollein. Artnet News earlier this month. “It therefore seems appropriate to use the proceeds of our regular divestiture program to support the salaries of fundraising staff in this exceptional year. And that’s what we do.

The Met’s annual divestiture program is roughly $ 10 million, Hollein said. “The works we use for the assignment are duplicates, multiples, copies of the same thing [we have] in better quality.

Frank Stella, Stella_Star of Persia II, from the Star of Persia series (Axsom 2) (1967). Photo: Christie’s Images Ltd.

The first will be a dedicated online auction of 168 lots of Civil War photographs, to be held from September 24 to October 7, according to Christie’s. A set of 16 lots, including seven images of Frank from his book Americans, will be offered in a live photography auction on October 6. The rest of the works are prints and multiples, which will be featured in the “A Graphic Century: 1875-1975” online sale from November 4-18.

Estimates start at $ 1,000, Christie’s said. A photograph of a George Barnard military bridge is estimated between $ 1,500 and $ 2,500. The most expensive lot is Frank’s photo US 90, en route to Del Rio, Texas, 1955, estimated between $ 150,000 and $ 250,000, according to Christie’s.

Eadweard Muybridge, Animal Locomotion, an electro-photographic investigation of the consecutive phases of animal movements, 1887 (1872-1885). Photo: Christie’s Images Ltd.

The Met holds one of the largest and most famous collections of Civil War photographs of any public institution, most of which was acquired in 1933 from the collection of the Military Order of the Loyal Legion, indicated the auction house.

They are all from the 1860s, and most depict views of static objects, such as military bridges, trains, and hospitals. There may be an image of a battalion posing for a shot, but no battle scenes. This is because a photographer would use a large camera on a tripod, and from start to finish everything was done in the field, so most of the footage is static, rather than combat.

“Nothing happens during the action,” said Darius Himes, international photography manager at Christie’s. “It’s rooted in the landscape tradition.

The category includes a niche market, where works are valued as much as historical documents as for their aesthetic qualities, Himes said.

The 16 works in the live auction include pieces by Brassai, Frank, Andre Kertesz, Eadweard Muybridge and a book of photogravures published by the New York Camera Club in 1900.

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Photographic fantasy | Columns | lamonidailysun.com https://ukdigitala.com/photographic-fantasy-columns-lamonidailysun-com/ https://ukdigitala.com/photographic-fantasy-columns-lamonidailysun-com/#respond Thu, 16 Sep 2021 17:43:07 +0000 https://ukdigitala.com/photographic-fantasy-columns-lamonidailysun-com/ As you know, I searched high and low for a new place to live. I went back and forth between rentals and houses for sale. As a former home (and duplex) owner, I really hate the idea of ​​renting (i.e. paying someone else’s mortgage). And with the market seemingly coming back to earth, this fall […]]]>

As you know, I searched high and low for a new place to live. I went back and forth between rentals and houses for sale. As a former home (and duplex) owner, I really hate the idea of ​​renting (i.e. paying someone else’s mortgage). And with the market seemingly coming back to earth, this fall may be a fantastic time to make a purchase. Either way, I’m delighted to finally have my own place. It has been almost a decade since I lived alone. I miss having to tiptoe in the morning the most! (My current roommate is a bit late sleeper.)

The only consistent thing that I saw in my house search is the big difference in the quality of the photography between the houses. It seems the majority of real estate professionals take high quality photos, use the correct lenses, stay aware of the lighting, and capture the entire home and property. On the other hand, the majority of people offering rental properties seem to have let their little ones take the pictures for them. They’re consistently dark, off-center, capturing part of the room, and disregarding the flow of the house or any attempt to give the potential tenant a sense of how much space is available. It’s like they don’t even try.

Today I want to throw a bone to these people “challenged by photography”. We all understand that they don’t see the value of good photos. We also understand that they do not want to give their customers a fair price in the market. Maybe with a little help, they can learn to appreciate the value of a well-thought-out photo gallery and one day get their clients to be delighted with the way their property has been portrayed. Let’s go, okay?

The choice of goal is first and foremost. You know, actually, even before that, it’s the camera. You need to use a good quality camera (capable of changing lenses) to get the most out of your photoshoot. But I’ll leave that to you and a chat with the folks at the camera store. For the lens, lean sharply towards the wide-angle variety. In general, the wide angle lens will provide sharp images while capturing the whole room. When searching for a property, I cannot count the number of times I felt like I saw the house through a tunnel. Let the photos breathe and let in as much light as possible (more on this later).

And don’t confuse “wide angle” with “fish-eye”. You don’t want your photoshoot to look like Missy Elliot’s The Rain video (you’ll have to search for this one if you’re under 40). I also lost track of the times I crashed into a closet or hung outside in the hallway just to get the best angle for my photos. Don’t just lazily walk around taking pictures. Move your body (and the camera!) Out of the room and reflect on your perspective. Every little detail makes a big difference. “Never lose sight of the fact that these photos are the first (and very often the ONLY) view of this home people will get,” said Badger Realty agent Mike Rogers. He continued, “If they don’t get past your photos, they won’t pick up the phone. You can count on them.”

And if you don’t hold onto the chandelier or tuck yourself into a closet, use a tripod. The tripod should be the first thing you get out of your car when you get home. The camera can be the second. Take the time to walk around the house and see where you can settle down. You really have to get past the idea of ​​having to move the tripod around a bunch of times just to get all of your shots. Bring a friend to help you if that makes it easier. Having crisp, crisp images from the right angle, with no chance of movement or blurring, will make a big impression on those potential buyers and tenants.

One of the most surprising (and fun) discoveries I made during my research is the bewildering absence of the most basic (read: required) photos. I have looked at rental and property listings without front of house images. Others omit the pictures of the rooms. You know what these two scenarios mean, don’t you? The house is in a horrible part of town and looks horrible from the outside and the bedrooms would hardly pass as closets in most homes. True or not, this is the message you are sending. Show the interested party all possible images from all possible angles. Images are free, remember. Hurry up!

The last note for our photo-challenged friends is the lighting. This one seems obvious to most of us, but lighting really is the piece of resistance in real estate photography. No one except Parks and Rec renowned Orin wants to live in a dark, gloomy house. If you are stuck with a rainy and dreary fall day, skip the photoshoot and wait for better weather. If given the chance, my favorite days to photograph real estate are those blue sky days after a good snowfall. Everything is crisp white and the rooms are lit like Christmas trees. Snowstorms aside (it’s only September, Jason!), Be sure to pick a nice sunny day for your photos. And whatever the weather is outside, be sure to turn them all on. Single. light. at home. You really can never have too much light. Good shot!


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Waterfowl Photography Workshop at Legendary Hindes Ranch – https://ukdigitala.com/waterfowl-photography-workshop-at-legendary-hindes-ranch/ https://ukdigitala.com/waterfowl-photography-workshop-at-legendary-hindes-ranch/#respond Thu, 16 Sep 2021 16:09:53 +0000 https://ukdigitala.com/waterfowl-photography-workshop-at-legendary-hindes-ranch/ If you’ve ever wanted to experience the thrill of photographing waterfowl at one of Texas’ leading wildlife ranches, then I have great news. Richards Outdoor Photography, LLC is extremely pleased to provide a rare opportunity for eight photographers to experience the legendary Hindes Ranch with Dave Richards and his sons Joseph and James from November […]]]>

If you’ve ever wanted to experience the thrill of photographing waterfowl at one of Texas’ leading wildlife ranches, then I have great news. Richards Outdoor Photography, LLC is extremely pleased to provide a rare opportunity for eight photographers to experience the legendary Hindes Ranch with Dave Richards and his sons Joseph and James from November 18-20, 2021!

When most people think of Hindes Ranch, they think of the big deer. Unknown to most, the Hindes Ranch is home to a wide variety of waterfowl species that migrate through the central flyway each year. Miracle Lake provides a winter refuge for thousands of migrating white-fronted geese (spotted bellied). In addition, it also provides prime habitat for migrating snow geese, northern pintails, piper ducks, gypsy ducks, northern shoveler, green-winged teal, blue-winged teal, collared ducks. , redheads, scrub ducks, spotted ducks and a multitude of shorebirds.

The Hindes Ranch is an amazing wildlife-rich environment for a wide variety of other species that may provide photography opportunities, including white-tailed deer, javelins, coyotes, and bobcats. They also have a diversity of birds, including South Texas raptors, Rio Grande turkeys, bobwhite quail, green jays, pyrrhulox, great road runners, and crested caracaras.

Includes instructions from Dave and Joseph Richards on how to successfully call and photograph waterfowl and more.

Includes room, meals, soft drinks, snacks and transportation to the ranch.

Register for this unique workshop at www.richardsoutdoorphotography.com

Suggested route:

Day 1

Participants arrive before 10:00 a.m. to register

11:00 am Instruction time

12:00 Lunch

1:00 – 2:00 Instruction time

Full afternoon in the field

7h00 Dinner

Day 2

Breakfast

Full morning outdoors

12:00 Lunch

1:00 -2: 00 Instruction time

Full afternoon in the field

7h00 Dinner

Day 3

Breakfast

Full morning outdoors

Departure after lunch

EQUIPMENT REQUIRED:

Bring your own camera gear and tripod

Warm camouflage clothing, camouflage head net, gloves, rubber boots, flashlight.

TOTAL COT: $ 2,500 per person plus taxes

A deposit of $ 1000 (plus taxes) per person will be required to reserve your place for the waterfowl photography workshop from November 18 to 20, 2021.

* THIS IS A NON-REFUNDABLE DEPT OF $ 1000 PLUS TAXES PER PERSON TO RETAIN YOUR PLACE *

The remaining $ 1,500 per person plus tax will be due on November 10, 2021.

Register today because places are already filling up. Please contact Dave with any questions.

Dave richards

Richards Exterior Photography, LLC

210-218-4375


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